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Four
Feathers
Director:
Shekhar
Kapur
Country:
USA
Year:
2002
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Starring:
Heath Ledger, Kate Hudson, Wes Bentley
Director: Shekhar Kapur
Screenwriter: Hossein Amini, Michael Schiffer
The
Four Feathers, presented by director Shekhar Kapur, has
been a film favorite for decades. This is the fifth time
a script based on the novel by A.E.W. Mason has been made
into a movie. Kapur's epic Four Feathers bases itself around
the theme of cowardice and redemption set in the Sudan in
1898. Sadly, this film fails to engage, even with the old
English mansions, sweeping desert vistas and vicious battle
scenes.
Heath
Ledger plays Harry Feversham, a soldier and son of a proud
British general. A prissy looking Kate Hudson plays Ethne,
Harry's elegant fiance who plans to faithfully wait at home
while her soon- to -be husband goes off to war. Meanwhile
Jack, (Wes Bentley) who is Harry's best friend is secretly
in love with Ethne himself. The first inklings of this contrived
love triangle emerge during scenes of grand English parties
wherein the well -to-do aristocratic British soldiers court
well-to-do English ladies in lavish ballrooms. The parties
and fun end pretty fast however when Harry realizes that
his regiment is about to be shipped off for the first time
to battle Sudanese rebels. He instantly panics and resigns
his post.
"I
never wanted to join the army," he says. "I did
it for my father. I thought I'd serve out my commission
a year or two."
After
Harry resigns his commission and is consequently disowned
by his army general father, Ethne and three of Harry's comrade
officers send Harry white feathers, the hated symbol of
cowardice. Later, when Harry learns Jack's unit has been
attacked by Muslim extremists, he has the sudden courage
to save his friends. This is the point where The Four Feathers
goes astray by failing to explore the heart of the main
character when he decides to go run away from his responsibilities
to his country and fellow soldiers. One minute Harry's made
out to be this yellow-bellied coward and a few scenes later,
he's making his way through the desert by himself, ready
to collapse from exhaustion and dehydration.
Traveling
to the Sudan as a civilian, he attempts to blend in with
the Sudanese and painstakingly begins to make his way toward
the military front. He is wrapped in sheets to travel as
a Muslim Sudanese, but with his long hair and scraggly beard
Harry instead looks more like American Taliban soldier John
Walker Lindh. During all this a well-supplied army of white
soldiers in uniforms is killing an army of blacks riding
camels. Eventually Harry is taken under the wing of an African
tribesman Abou Fatma (Djimon Hounsou) who bails Harry out
of trouble at every turn. If it weren't for the 'noble savage'
Fatma , Harry would surely be a dead man. Although he barely
speaks, Djimon Hounsou as the African mercenary soldier
projects a regal presence that the other actors lack.
At some
point amidst the shootings and slayings set in the scorching
desert, Jack is shipped back to London, disabled by blindness
caused in battle. Believing Harry is dead, Ethne and Jack
begin to (surprise, surprise) fall in love. But as it turns
out, Harry isn't dead. He is busy in the Sudan performing
acts of bravery for his fellow officers. This in turn gives
him the right to return each of his four feathers. The last
white feather of cowardice that Harry returns is the one
cruelly given to him by Ethne.
While
director Shekhar Kapur's battle scenes are indeed horrific
spectacles, he completely fails to challenge the very notion
of British imperialism. This period piece feels unnatural
and insincere. It also feels as though it goes on forever.
The elaborate costumes, soap-opera like love triangle and
desert scenery makes The Four Feathers seem like an obnoxious
period piece designed specifically for Oscar glory, and
not much else.
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