| Jazz
Virk's Dark & Vicious Film Making
Director's Profile
by Preeti
Thandi
He
is a big fan of action fantasy blockbuster films. He prefers
darker shades to narrate a story immersed in controversy
and hard hitting violence. Broken, an eleven
minute short film heralds Jazz Virk's style. He aspires
to bring a different side of South Asian cinema to the forefront
which is at the same instance vicious, dark and violent.
"Violence is all around us," says Jazz whose debut
short world premieres at the ReelWorld Film Festival
2004 in Toronto on April 4 at 12:30 pm. Broken
expresses the director's views with no glorification despite
the stark consequences.
"The film portrays violence on a physical, emotional,
spiritual and mental level," reveals Jazz. "Violence
does dwell in our community. I wanted to depict what violence
does to our people. The characters in the film are 'broken'
at different levels. It is a concentrated story which is
visceral, fast paced and an adrenalin rush piece of work.
Test screenings of the film impact the audience."
Even though his short took eight years in the making and
a whopping $150,000 Jazz is very happy about investing his
blood and sweat into the project. Broken
focuses on two men from seemingly different worlds yet their
paths collide and conflict. Danesh is a well established
dentist and a happily married man. The murder of his elder
brother and the obsession to solve the mystery leads him
to the underworld. Mac on the other hand is an auto mechanic
during the day and a hired muscle man for organized crime
at night. The story pieces together murder, revenge and
redemption.
According to Jazz the depiction of violence provides education
and insight into the community. "It is not violence
for the sake of violence," he says. "It is the
vein of real drama without the gloss." The cast includes
Rajeev Sharma, Swarit Jajal, Subeena Youll, Shailay D, Mia
Virk, Sandy Bawa, Suny Virk, Jazz Virk and Kesh Sharma.
Jazz's hard core action film is a precursor to a trilogy
of three features - Broken, Status
and No Rest (which is a working title).
The films are scripted in a way that events from one lead
to the other.
Jazz was introduced to the world of film by his father.
He always found the audience perspective the most fascinating.
When he was in grade 7 Jazz had already made up his mind
to join the world of cinema in some capacity. He studied
Arts, History and Cinema Studies at the University of Toronto
and later joined Sheridan College to learn the nuances of
Photography and Graphic Art. Jazz invested the money in
buying equipment, camera and an editing system and taught
himself the art of direction and production.
"Tony Singh gave me my first break for a music video.
He's the lead singer for the Punjabi band PNB (Punjabi by
Nature). It was a performance video shot on Super 8 mm."
His second music video was for a Mandarin album. He went
to China and shot the video with recruits from the Sheridan
College. After doing a few more videos Jazz set up his own
production company and got into making commercial and corporate
videos.
He was working on Atul Sohla's short film when he was introduced
to Much Music and started making music videos that aired
on Much Music and MTV. Some noteworthy videos he edited
include, Choclair, Ghetto Concept, Carlos Morgan, Redlife,
Plains of Facination, Julie Black, ST8 of mind and Nelly
Furtado.
Jazz has also directed over 30 Indian music videos from
Bombay, India and the UK, in Toronto. He has worked with
the likes of Sonu Nigam, Dj Sunshine, Jolly Bawa, DJ Jitten
and Big Suga Kane.
Two of his recently directed videos were banned and not
aired in Canada by South Asian broadcasters but they did
well in UK and India. "The artist, Big Suga Kane and
his too sexy for TV videos will never see the light of being
aired on television unless toned down and re-cut,"
he says.
Jazz first conceived Broken in 1996. He
wanted to make a hard core action packed South Asian film
and did his research on the underworld scene. He invested
in his craft trying new technologies and equipment. "I
had access to all the toys which made it easier to pick
a crew and shoot." Even though Jazz has produced and
edited other films for festivals, his own short took eight
years. "I am responsible for the creative output. I
feel very excited about being at ReelWorld because
it has brought me into a new world. I have taken my time
to do it my way," he says (withstanding any controversies!)
website: www.virkfilms.com
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