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MyBindi
Radio
Session 2.0
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with
Mohamad
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Click
Here to listen to myBindi
Radio |
Playlist
01.
Bheer - Panjabi MC
Whether or not you like the opening sample, and even if
you think those garage breaks are over-used, Ranjit Mani's
proud Punjabi vocals are too catchy to dismiss. With this
simple but effective hit from his new Switchin' EP, PMC
shows that he's still the best bhangra producer in the UK.
02. Tantra - OmZone
Mixed by Coco Varma of Earthtribe. OmZone's
sweet sitars and tabla machinery meld with DK's ambient
mantras, giving way to a monsoon of jungle breaks. This
NYC duo is among the many new artists coming out of New
York and California, leading a South Asian-American inqilaab
just behind the Brits. Available only on vinyl for the time
being.
03. Jhinjoti - Jolly Mukherjee/State of Bengal
The Madras Cinematic Orchestra delivers a delicately moving
instrumental piece based on raag jhinjoti, with State of
Bengal adding a light layer of drum n' bass. From the Fusebox
album, out on Palm
Pictures which apparently has nothing to do with the
film industry.
04. Sweet Pain (Joi Remix) - Nusrat Fateh Ali Khan/Michael
Brook
A personal favourite, the song that introduced me to the
scene, and one that continues to speak to the spirit. Joi's
powerful interpretation of "Sweet Pain" seems too perfect
to be a remix. When the qawwal improvises a melody in the
second half of the track, he seems to be jamming with the
big electric beats, alive and in person. Qawwali can be
thought of as a sort of freestyle prayer, and an expression
of longing for truth and oneness, as personified by God.
I like to think that Nusrat Fateh Ali Khan just took the
shortcut. Fi amaan Allah.
05. Mahiwal - Junoon
"Doob chali, main doob chali / Is jeene se maut bhali."
The reigning shahzaadey of Pakistani rock blur the distinction
between life, death, and dreams. In English, the word "mahiwal"
literally means "fisherman", but is also used to denote
the ferryman, as one person would often make a living doing
both things. The ferryman is a well-known psychological
archetype, appearing frequently in dreams, as well as in
myths concerning the underworld. In the latter, he often
ferries souls across a river dividing the world of the living
and the world of the dead. Thus, the woman in this song
commits suicide by jumping out of a ferryboat in midstream,
and continues her river journey, perhaps, in the afterlife.
Like a classical ghazal, the lyrics are intended to represent
the woman's point of view, though penned and performed by
a man. From Junoon's
spectacular album, Azaadi. Everyone who thought that Paki
FOBs have bad taste, think again.
06. Dhun in Raag Kirwani
A short classical instrumental piece recorded in Multan
by two white guys who wanted to expose some great music.
While kirwani is originally a Karnatic (South Indian) raag,
it has recently been adopted into the Hindustani (North
Indian) school, where it is gaining popularity. Though some
new Desi artists complain that the rigidity of the Hindustani
and Karnatic disciplines cramps their style, it's undoubtedly
the ones who embrace and learn the tradition who come out
with the wickedest tunes (see Jolly Mukherjee and State
of Bengal's take on raag jhinjhoti above). This particular
dhun can be found on the Sanachie compilation, Land of the
Sufis, which also contains some nice Siraikhi qawwaliyaan.
07. In My Prime (Gekko from Ekovaland) - Ekova
Just another song about betrayal? Judge for yourself. This
is a reworked and remixed Irish ballad with an electronic
twist, the only English track on a debut album chockful
of incomprehensible and incredible freestyle linguistics.
The French-based group consists of American-born singer
Dierdre Dubois, Iranian percussionist Arach Khalatbari and
Algerian Mehdi Habbab on the lute, guitar and oudh. The
group draws upon influences from all over the world, but
to narrow it down for you, this one sounds specifically...um...Arabic
Afro Celtic electric? The Gekko remix is available on the
album Soft Breeze and Tsunami Breaks, while the original
is a piece from their maiden venture, Heaven's Dust. Both
CDs are on Six
Degrees Records.
08. River Pulse (Rain Mix) - Nitin Sawhney
The man behind Beyond Skin shows off his piano-playing skills
on Outcaste Records'
first album, Migration. Samples of running and flowing water
provide a soundscape over which Nitin lays a persistent
tabla taal, and performs a quick and simple melody incorporating
both jazz and Indian classical concepts. A brilliant track,
but then, it's hard to go wrong with Nitin Sawhney.
09. Teri Akhiyan Da - Bally Sagoo
Punjabi female vocals and pounding beats fill this track
from the album Rising From the East. The track, like the
entire album, has a dark feel to it, as does most of Bally's
work since Bollywood Flashback. Nowadays, he's busy with
his new record label, Ishq,
and his line-up of new artists, including The Dub Factory
and Kenz Desai.
10. Sas Kutni - Heera
Now, from the golden era of bhangra, a song about beating
up your mother-in-law. Any questions?
11. Gabbar Singh - Juttla
Yes, MyBindi Radio Session 2 khatam ho raha hai, and no,
you haven't found Uncle Gabbar. This track from Nation
Records' Qilaash compilation cuts up voc samples of
Bollywood's most famous villain, from the Eastern Western
flick Sholay. Juttla's dirty drum loops are guaranteed to
frighten small children. Tera kya hoga, Kaalia?
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