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Bolo!
Bolo!
the Kitchen Table Collective
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Review
by Aparita
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To
give credit where it is due, Bolo! Bolo! is an ambitious
project. Brought out by the Kitchen Table Collective, a
group of four young erstwhile South Asian second-genners,
Bolo! Bolo! is an anthology that professes to be a "collection
of writings by second generation South Asians living in
North America". It covers a myriad of genres ranging
from poetry, short fiction, slightly longer fiction, short
essays, long thoughts, ruminations, and expostulations
I
had been waiting for this collection with anticipation for
some time. So it was a pleasant surprise when a recent chance
encounter with Zenia Wadhwani, one of the members of the
'collective,' ensured a rather voluminous copy of this project
in my hand. Flipping through the three hundred odd pages,
one couldn't escape the fact that there is a strong South
Asian voice waiting to be heard in North America, and therein
lies the strength of this collection. It allows these voices
to come through, giving aspiring/established authors a forum
to create a discourse.
One
has to commend the sheer amount of work that has gone into
the production of Bolo! Bolo! It is a daunting task to first
collect all the material that must have inevitably poured
in and then to organize it into some form of a cohesive
whole, especially when the issues raised by various individuals
have distinct concerns. Given the daunting nature of the
entire affair, Bolo! Bolo! is a laudable first-time effort.
The
works that constitute Bolo! Bolo! range from the genuinely
interesting and thought-provoking to the somewhat more lack-lustre
pieces, but that is a risk one runs when producing such
a collection. Some of the works raise issues that are germane
to South Asian literature (diasporic or otherwise) while
others are mere ponderings. Not to say that one is more
important than the other, but pairing these disparate entities
can yield a confusing mélange. The editors seemed
to be aware of this problem. Gurbir Jolly, also of the Kitchen
Table Collective, asserts: "[t]his anthology hardly
presents a consistent, evenly textured vision of second-generation
South Asian identity" and that "[i]nstead readers
will often encounter stylistically, thematically, and politically
differing (if not conflicting) interpretations of cultural
identity."
Indeed.
Reading through the anthology, I came across a panoply of
voices, some stronger than others. These voices explore
issues such as the predicament of living between two worlds,
racial differences, memory, religion, homosexuality, sexuality,
and language. Others explore cultural aspects of being South
Asian, glimpses into the lives of people 'back home', and
glimpses into the lives of people in their 'new home'.
There
were several pieces that I thoroughly enjoyed. These pieces
provided a challenging read by questioning various concerns
of South Asian writing. All in all, Bolo! Bolo! is a courageous
first step, although I would define it as more of a political,
rather than a literary statement. The fact is that we need
some sort of a discourse, and Bolo! Bolo! quite literally
exhorts us to create it.
For more
information on
Bolo! Bolo! visit
www.bolobolo.net
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